Awagami Japanese Paper Shin Inbe Thin Red Soil 65 G/M2 109.1X78.8 Cm
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Awagami Japanese Paper Shin Inbe Thin Dark Red 65 Gsm 109.1X78.8 Cm
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Awagami Japanese Paper Shin Inbe Thin Ultramarine 65 Gsm 109.1X78.8 Cm
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Awagami Japanese Paper Shin Inbe Thin Pear Brown 65 Gsm 109.1X78.8 Cm
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Awagami Japanese Paper Shin Inbe Thin Blue Ink 65 Gsm 109.1X78.8 Cm
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Awagami Japanese Paper Shin Inbe Thin Bordeaux 65 Gsm 109.1X78.8 Cm
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Awagami Japanese Paper Unryushi U-18 42 Gsm 97X64 Cm
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Awagami Factory Unryu 2 Layer 81 G/M2 110X66Cm
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Awagami Japanese Paper Unryushi U-20 97X64 Cm 42 Gr
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Awagami Factory Unryushi Sh-20 50 G/M2 97x64 cm
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Winsor Newton Series 7 Kolinsky Sable Round Brush No: -2
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Winsor Newton Series 7 Kolinsky Samur Yuvarlak Fırça No: -3
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Tombow Mono Grapy Versatile Pen 0.5 mm Sorbet Blue
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Tombow Mono Grapy Mechanical Pencil 0.5 mm Transparent Purple
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Südor 10 Series Monalisa Kolinsky Tezhip Brush No:5/0
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Pentel Mechanical Pencil Orenz 0.2 mm Black
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Pentel Mechanical Pencil 0.5 mm Black A315-A
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Pentel Versatile Fountain Pen Type Kerry 0.5 Mm P1035-KD Green
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Pentel Graphgear 300 Versatile Technical Drawing and Writing Pen 0.5 mm Black
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Pentel Gouache Paint Poster Color Pearl Gold No:90
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Illumination Materials
Tezhip and Miniature Supplies
Illumination draws on a wide vocabulary of motifs and patterns, and producing original work in it requires materials of sufficient quality and range. This collection covers both tezhip and the miniature painting tradition that sits alongside it.
Gold and gilding materials
Esefoğlu and the Karin brand entered the art materials trade through gold leaf, which at the time was difficult for Turkish artists to source reliably. More than sixteen years of experience in that trade is the reason Karin Sanat became the first place people look for gilding materials.
The collection carries genuine and imitation leaf, shell gold, shellac polishes and durable varnishes for finishing gilded work, rabbit-skin and animal glues, milk mixtion and three- and twelve-hour mixtion adhesives, gilder's knives and cushions, agate burnishers, roll gilding, bole and red bole ground, and the supporting materials gilding work calls for at every stage.
Illumination and miniature
For tezhip itself: gouache and metallic paints, kolinsky and sable brushes for tahrir and halkari, prepared papers, contour inks, compasses and ruling pens for laying out the geometric framework. The miniature painting section carries the traditional tools of that discipline, along with technical pens for a range of drawing techniques.
Restoration
Restoration has developed considerably in Turkey in recent years, and we supply the materials that artistic restoration work depends on.

