Gauguin Üzerine

On Gauguin

Renowned feminist art historian Griselda Pollock exposes the racist, sexist, and imperialist foundations behind the paintings of Paul Gauguin and other artists competing for dominance in the artistic avant-garde of 1880s and 1890s Europe. First presented as a lecture in 1993, this text serves as a powerful response from a long-standing advocate of gender and racial inclusivity against mainstream art historical narratives.